60 MINUTES: JEAN-MARIE DRU, CEO, TBWA
"Disrupting Brands"
"Here's
to the crazy ones... because the people who are crazy enough to think they
can change the world, are the ones that do.'' This is more than the
voice-over for an Apple commercial. Ask the man who has been helping Steve
Jobs put the bite into his Apple, and he'll tell you it is about building
brands in a world of change-& disruption. Changing the rules is
something Jean-Marie Dru, author of Creative Leap and
Disruption, has been doing his entire life. In India to stretch the minds
of Indian clients and CEOs, the 50-year-old President and CEO of TBWA
International took some time off for a disruptive session with BT's Seema
Shukla.
Q. Creativity, Disruption, Lateral
Thinking. Many have waxed eloquent about the use of the right side of the
brain as the most effective management tool going around. But how
practical or implementable is it?
A. It is a conflict. The whole issue
is to be different, yet be relevant. It is very easy to do creative things
that do not sell or to say there is no need to be different because it is
too dangerous. There is a fine line. Which is why we believe we should
help our clients to be more creative in a relevant way. For that, you need
to have processes and resources to help. For example, at TBWA, we have
disruption days-we spend one or two days with 8-9 people from the agency
and the client-to understand conventions in the existing market. We have
2-3 people who have prepared materials for a few weeks, so that we can
understand the brand; it is very difficult to understand what you can
change and what you cannot. It's easy to say; let's become creative. But
you need processes for that.
How do you prevent a situation where
surprise is for the sake of surprise or change for the sake of change.
Isn't it easy to get into a situation where you are disrupting for the
sake of disruption?
You can control it in three ways. The
first-excuse my arrogance-is experience. When you've been around for
years, it becomes a little easier to recognise flawed creativity that is
superficial. Second, you have to ask some basic questions. What you are
ultimately doing is trying to build the brand. You have to ask yourself
how far you can go in stretching the brand without diluting it. Look at
Caterpillar. They make tractors but are now becoming a fashion brand. This
is extremely stretched. So you have to break it up and take it step by
step. But you cannot stand still. You need to test the market besides
being open to test ideas.
Yes, it becomes a problem when people start
making changes just so that they 'look different'. It is exactly what
happened to lots of dotcom companies especially in America in the last
three years. Too much importance was put on being top of the mind rather
than creating an image. The lesson to learn is that you cannot build
knowledge without taking care of the image. If you surprise for the sake
of surprise, people remember you but do not respect you. At the same time,
as an advertising person, it is your duty to surprise-only 20-30 per cent
of advertising is remembered. That means it is a necessary condition even
though it may not be sufficient. Surprise means something unexpected. For
example, you don't expect to see a Picasso in an Apple ad.
In your book you talk about practical
advertising based on visible ideas vs ads that are more emotional in
nature. Which form is more effective today?
In the 70s I would have said idea; today I
may say thought. An idea may be great, but a thought will be beautiful. I
can say it is true worldwide that advertising has become slightly more
emotional than before. It comes from the fact that the more sophisticated
you become in controlling advertising, the more you realise it is very
smart to use emotions. But emotional advertising has been used even in the
Sixties in America. I don't think it is a new trend-when you start using
advertising, it starts with idea and moves towards emotion. Brands need to
balance tangible and emotional values.
If, as you say, brands do not have life
cycles, why do so many die?
Brands do not have life cycles. I would like
to take the example of P&G, a company I have worked with closely. I
remember meeting Ed Artzt, CEO and Chairman of P&G, in 1991, and him
telling me about the most important change in marketing in the past 20
years in his company. He said earlier the mindset at P&G was one
breakthrough, one product, and one brand. Each time something new was
found, they created a new brand. So P&G had no umbrella brands and
they were laughing at all companies that were doing it, like Colgate and
Lever. Then, they realised it was a big mistake-brands are so strong it is
silly not exploit them more. As a result they changed their mind-end
result, end of 1998, Oil of Olay, which used to be a one-brand product
offering, has 26 variations today.
Look at Tide. Each revolution in product
development is incorporated in Tide. Sometimes they would not even talk
about it-the idea being-Tide will always have the best. The products may
be dying but the brand lives on. If brands die, it is because the
companies have not been working on the products. Look at products
associated with the IBM brand today-compared to before. But then, you run
the risk of diluting the brand if you have several products.
How do you know how much you can disrupt
the brand?
Disruption does not mean you are necessarily
changing the brand. The idea is to try and stop thinking in terms of 30
second commercials and start building a brand. The end-result is to find
larger billings for our clients, not to try and change the brand, though
sometimes that is what the consequence is. Disruption is just an idea to
accelerate that change. For example, in the case of Sony Playstation, they
decided on a totally different vision for their game. They wanted it to
symbolise a lifestyle, not just a game like Nintendo and Sega. The ad
shows people-not just kids-doing fantastic things and coming home to play
Playstation. The question is not just of changing the brand, but how far
can you go to give more weight to the brand. This morning I saw a
presentation of an Indian ad of a Ford New Holland tractor. It showed a
guy with his tractor-his daughter had better prospects of getting a good
husband because he owns this tractor. That is an example of building a
brand.
What if one were to say advertising has
become a convention that is in dire need of disruption?
I don't believe that advertising has become a
convention. Yes, given the way we do advertising, there is the risk of
becoming a convention if we do not change. There will always be people on
one side proposing something and people on the other side disagreeing with
it. So you need something in between. Look at how advertising has changed
in the last forty years. In the Fifties we used to show detergent ads with
a mother and daughter explaining how to use detergent; everything goes
through a learning curve-in this case it was the learning curve of the
housewife.
Crest and the boy whose fillings get
erased, Tetley Tea bags and the chimps...all really successful campaigns
that were killed in search of change...
Good point. I really believe a lot of great
campaigns have been lost in the past 20 years because people think they
can do better. In fact, it is very interesting because the other day I
made a presentation with 10 commercials of the Seventies and how they
would be effective today. I agree-look what happened to the English
Heineken campaign, that lasted 25 years.
One day someone decided ''let's shelve it''.
There is a fine line defining what we can change and what we should
change. If you change nothing you lose, but if you change things that
should not be changed, then also you lose.
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