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CORPORATE: MEDIA
The Spy Who Came In From The Cam
Having done a branding coup with two shattering exposés, Tarun Tejpal
wants Tehelka to be a mini-media conglomerate with a bevy of plans for TV,
publishing, music, and of course, the Web.
By Suveen
K. Sinha
Till
mid-March Westend was a hotel, a good one, in Bangalore, and Tehelka.com,
the website that had shot some marginally damaging spy-cam footage on the
fixing of cricket matches and then faded into dotcom limbo. Its average
monthly pageviews of 11-12 million, while not insignificant, certainly
weren't spectacular. Operation Westend, or Armsgate, as the popular press
termed it, seems to have changed that, if only temporarily.
Tehelka, an Urdu word that translates as
splash or sensation was conceived early last year by Aniruddha Bahal, a
34-year-old journalist with a penchant for investigative journalism; he'd
written extensively on match-fixing in news magazine Outlook in 1996-99
and wanted the site to focus exclusively on investigative reportage.
That notion changed dramatically once Tarun
Jit Tejpal, who had given Bahal his first job as a sub-editor in India
Today (part of the same group as this magazine) and worked closely with
him as Outlook's Managing Editor, came on board as Editor-In-Chief of the
site and Managing Director of parent company Buffalo Networks. Tejpal, who
put in enough money to become the single-largest shareholder of the
company with a 41.75 per cent stake, expanded Tehelka's coverage to make
it a site that provided news, views and all the juice. He also added a
literary channel to the site, perhaps a legacy of the publishing outfit he
founded along with his brother Minty Tejpal, a former producer at Channel
[V], India Ink. ''The aim was to offer the readers a magazine on a daily
basis,'' says Tejpal.
Missing Out On Westend
Tehelka may have
failed to cash in on the advertising potential of its exposé. Its page
views on the day it published the report touched seven million, and it has
attracted an average of over a million visitors every day since, as
against the earlier average of a little more than 3.5 lakh. But the
company denies reports that it doubled ad rates from Rs 250 for a thousand
impressions to Rs 500 immediately after. The official line? Ad rates
remain unchanged at Rs 350 for a thousand impressions; and all footage
provided to television channels was gratis.
The company did make some money by selling
the rights to air the entire 100 hours of taped coverage to Zee for an
undisclosed amount. But with advertisers not exactly rushing to advertise
on the programme, the channel had to eat crow and reduce its ad rate from
Rs 5 lakh to Rs 1 lakh for a 10-second spot. Tejpal won't say money wasn't
a consideration; what he does say is: ''We could not monetise the whole
thing. The money from Zee will more than cover the cost of the operation,
but it is not astronomical.''
Making a splash
The
Future Brew |
TV
software: Minty Tejpal heads a team that now has 15
members; this business will bring in 45 per cent of revenues
Web content: syndication and
subscription model being evolved
Design: a
design studio has been set up under Pranab Datta
Books: Buffalo to bring out 8-10
titles a year
Music:
a relatively small business; will sign up new talent |
Maybe, Buffalo
failed to capitalise on the marketing potential of the tapes because it
hasn't had a head of marketing since Rekha Khanna's departure two months
back. Or maybe, it is impossible to make money out of such operations. Not
too many companies want to be associated with coverage that ruffles
feathers in the political establishment. Several rival dotcoms, analysts,
and venture capitalists even refused to be interviewed for this story.
Then, the public appetite for such stories
may well be limited. If sensation becomes routine, it may no longer remain
sensational. Says naukri.com CEO Sanjeev Bhikchandani: ''You cannot do 10
exposes in a month for the simple reason that there is a limit to how much
the market can take-perhaps, one every three months at the most. This
model is not very scalable.''
All this wisdom is not lost on Tejpal, who
is busy putting together a business model that envisages Buffalo as a
five-division media company with firm off-line revenues to support the
not-so-firm online operations. Thus, television software is soon projected
to become the single-largest component accounting for about 45 per cent of
the revenues. There are already 15 people dedicated to this division,
headed by Minty, and deals with various channels are under discussion. The
other three businesses will be book publishing, with eight to 10 titles a
year, a design studio, and music production.
Buffalo will also make efforts to leverage
Tehelka's strengths in the content domain. The company claims that since
its site does not offer chat or e-mail, the only visitors it attracts are
those interested in the content, and that close to 80 per cent of its
traffic comes from non-resident Indians. ''We will make substantial
efforts to syndicate our content and will also evolve a subscription model
by end-2002,'' says Tejpal.
Armsgate may not have brought in revenues,
but its role in ensuring that Buffalo did not face a problem in raising
its second round of funding can't be discounted. Zee will pick up a 26.1
per cent stake in the company. Tejpal says the company's valuation has
doubled since its inception in June 2000 to Rs 65 crore. Zee will thus
bring in Rs 16.90 crore even if no premium is attached to the stake (it
usually is to holdings over 26 per cent, which confer the right to block
special resolutions at the board level). Part of this money will go to
First Global, which is diluting it stake by 10 per cent.
For the moment, though, Tejpal and his team
are spending the lull after the storm, waiting for a new head of marketing
(an agency head, no less, claims Tejpal, but he'll say no more) and
plotting their next investigation.
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