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Columbus: Sought India,
got Americagot it way wrong
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In
1961, D.C. Kaushish put his money on the line when he opened Sheila
Theatre-with a 70-mm screen, the first of its kind in India-in
Delhi. It was part of his vision to provide entertainment on a
grand scale to the Indian viewer. Now, more than four decades
later, his grandson Manu Kaushish has opened an online music portal
based as an enterprise halfway round the globe in San Francisco.
Once again, like his grandfather before him, he is driven by the
urge to deliver state-of-the-art entertainment. This time, though,
the transaction is in Indian music, and the service extends to
not just the Indian diaspora, but also to Americans.
This factoid is not to be found in Thomas
Friedman's latest book: The World is Flat: A Brief History of
the Twenty-First Century. But, like the numerous other examples
in the book, it sums up the power of globalisation, the theme
that the three-time Pulitzer award winner elucidates in his latest
treatise. As always, off to a very absorbing start, the book is
essentially a bibliography of the globalisation phenomenon as
it has unfolded over the last few years-especially with the emergence
of China and India on the global economic map. It is in no uncertain
terms an unabashed appreciation of globalisation.
The columnist for The New York Times is the
foil to Lou Dobbs-with his daily fix on CNN titled 'Export of
America'-and his xenophobic interpretation of globalisation. The
book, therefore, takes us through the hectic but fascinating phase
of change that has overtaken our lives in recent years. Powered
by rapid technology change, the author argues that it has provided
new opportunities to emerging economies-devoting vast tracts to
chronicling the Indian success stories and how they have redefined
most of the existing paradigms.
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THE WORLD IS FLAT
A BRIEF HISTORY OF THE TWENTY-FIRST CENTURY
By Thomas L. Friedman
Penguin
PP: 488
Price: Rs 1,660
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In the new global economic order, Friedman would have us believe
that the playing field is being levelled (hence the title of the
book). That's true, if we overlook the starker political reality,
wherein a seemingly legitimate claim by India-the largest democracy
and projected as the next economic powerhouse-hangs by the veto
power of those already at the high table. Or, as Iraq and Afghanistan-for
good or for bad-have clearly demonstrated, there is no serious
challenge to the world's sole superpower.
So, a reader looking for an unravelling of
the complex questions-that marry the optimism of technology with
the cynicism epitomised by the spread of religious terrorism-that
plague the world may be disappointed. Instead, the book's strength
is its lucidity and contemporary record of global economic change.
Those among us who have been unable to stand back and take things
in perspective, will find this book a wonderful asset.
To be fair to the author, the book does not
purport to propound any Newtonian kind of theory or anything of
the sort-which is where several critics have found it wanting.
Instead, it rephrases a lot of the challenges and issues-similar
to those posed by the seminal work by Frances Cairncross in The
Death of Distance (1997)-that dog the world today, and addresses
them in the context a vastly altered global outlook.
An additional intangible from the Indian
point of view is that given Friedman's iconic status in many quarters
in the US, it is clear that his ra-ra views on globalisation and
outsourcing will find lots of takers. Sweet music to Indian ears?
-Anil
Padmanabhan
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INDIA IN MIND
Edited by
Pankaj Misra
Picador India
PP: 335
Price: Rs 275 |
Are reports of
the death of distance vastly exaggerated? Who knows. But with
the 'Incredible India' campaign on air, it sure pays to flip through
some of the stuff long-distance travellers to India might possibly
be reading about this fabled land. Suketu Mehta's Maximum City
has made it to the 'must' list, so Mumbaikars have an idea of
what first-time visitors might have half in mind while peering
into dance bars. Pankaj Mishra's selection of India travelogues
by famous writers, India In Mind, is not nearly as engrossing,
but is rip-roaring fun in pinches.
There's E.M. Forster and all that. But the
pinch-me passage of the book is Mark Twain's, with his polite
attempts to-jest connect?-buckle under the influence of India.
An India that's so much more than endless farms separated by mud
fences, unbothered by doubt. The high point of this brave venture
is the "bewildering collision of the impossibles" ("...
and what is it that cannot happen in India?") that occurs
when his new hire, the tablet-bearer he prefers to call Satan,
gleefully announces a divine arrival at the door. "Who?"
That's Mark Twain in 1897. Before Bob Dylan.
Before Reebok. Even before Letters From The Earth.
To sober up, have a go at Claude Levi-Strauss,
the anthropologist who took Greek heroes apart by their constituent
'mythemes' for graven analysis. India's overflight landscape appears
as an "old tapestry", "worn threadbare". After
touchdown, he seems entranced by the dwelling units. It is in
the "urban, industrial and bourgeois civilisation" of
the Harappan ruins, particularly, that he detects a prototype
of the modern metropolis, as he bemoans India's quest to prefab
its way back to such dreary regimentation, signified by the pride
taken in wearing western underwear (it's the 1940s). On surviving
this, Levi-Strauss offers no obvious suggestion.
-Aresh Shirali
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THE INVISIBLE CEO
By A.G. Krishnamurthy
Tata Mc Graw-Hill
PP: 182
Price: Rs 250 |
Does he even
exist? That's what adfolk were asking all those years that A.G.
Krishnamurthy ran Mudra, the Reliance-promoted ad agency based
in Ahmedabad. He was 'invisible', you see, never to be spotted
at any ad hangout or do. That's not the only reason "the
odds were really stacked against us", as he recounts. The
agency's name was in Sanskrit. Ritual prayers were de rigueur.
And Reliance actually snapped the umbilical cord of cash and control.
The ironic part of this book is The Invisible CEO's take on people
power (see The Power of Experience). He quotes Bill Bernbach saying
that the ad promise must always match consumer experience-illustrated
"beautifully" by 2002 Gujarat! Well, whaddyaknow.
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