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Blink different: Two
seconds, minutes, centuries or millennia, don't self destruct
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The
back of the book describes Blink as a book about how we think without
thinking, about choices that appear to be made in seconds. As an
individual who has constructed his life on the edifice of intuition,
I was quite charmed by the proposition. So someone was going to
make us gut-guys look sensible.
The fact that Malcolm Gladwell authored it
made matters even more seductive. Gladwell had some years ago bestowed
upon us The Tipping Point. If my memory serves me right, it was
the buzz phrase of 2000. There is other good in Gladwell as well.
He has the unique distinction of being both the business and science
reporter at the Washington Post. Not many are intellectually so
ambidextrous.
The basic premise of the book is very simple:
what goes on in the human brain in the two seconds in which a person
reacts to or decides upon something. In his own words, Gladwell
states, "Blink is a book about those first two seconds."
Six pages later, he adds armoury to the argument. He says, "Blink
is not just the celebration of the power of the glance, however.
I am also interested in those moments when our instincts betray
us." Mind it, this was page 14.
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BLINK
By Malcom Gladwell
Little, Brown
Press
PP: 288
Price: Rs 686
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Something in my bones told me that the book ended there. Gladwell
had glorified the glance. I thought the book would be a ferocious
battle between the blinking and thinking, but the first cracks in
the logic were already appearing on the pages.
Finally, there was one last purpose that Gladwell
wished to serve. He wanted to convince the reader that one's snap
judgements and first impressions could be educated and controlled.
At this point, the book reminded me of Los Angeles: it had a permanent
fault line. What was this book all about? Was it about the blink
or the thought-out blink? Is it good to blink or good to think?
It is this fundamentally unanswered question
that makes the book suspicious. What makes it readable is the array
of examples that Gladwell merrily borrows from. Indeed, the landscape
of the journey is captivating.
It's just that no one knows where the destination
is. The book commences with a fake kouros at the Paul Getty Museum.
It then swerves into card decks observed by scientists in Iowa.
It cruises along couple-compatibility and then stops at a red light
called tennis, where you read about Vic Braden who instinctively
knows when a player will double-fault in a game of tennis. It also
reveals a little known but somewhat important fact about George
Soros. Apparently, he changes his position on markets each time
his back aches. (I mean, how reassuring is that!)
The book is also richly peppered with sweet
little tests. There's a 'scrambled sentence test', a priming experiment
that apparently wrecks your adaptive unconscious. Then there's the
IAT (Implicit Attention Test) and the even more staggering race
IAT. Of course, there's also the Harold for all you theatre-junkies.
Gladwell also pontificates on 'sensation transference'
and how it was applied in the marketing of margarine. He throws
a car salesman into the argument and then lures a lady who plays
the French horn at The Metropolitan Opera in New York. As I said
earlier, the landscape of the book is richly rewarding. And that
is precisely the point I wish to state.
Gladwell's Blink is a series of examples for
an argument that inherently blinked.
On Page 118, Gladwell echoes the words of a
management guru called Kevin Kelly who once said "The first
thing I told our staff is that we would be in command and out of
control."
Pretty much sums up the book for me.
-Swapan Sethi
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BLUE OCEAN STRATEGY
By W. Chan Kim & Renee Mauborgne
HBS Press
PP: 240
Price: Rs 1,232 |
If marketers can
use all manner of imagery to get messages across, why not professors
of subjects much less fathomable? In Blue Ocean Strategy, insead
strategy gurus Kim and Mauborgne advise businesses to give up the
'red ocean', the known market space (turned bloody by competition),
and plunge into the 'blue ocean', the unknown market space (that
remains uncontested). Adopt, thus, a strategy otherwise known, less
vividly, as 'market creation'. It involves focussing on non-customers
instead of customers to create an entirely new value proposition
that can make waves (for how, look up the Four Action Framework).
All too familiar? Then skim through their stories
of how new needs are fulfilled. Swatch, a reskin expert, has done
it. It unveiled watches designed for the fashion market. Cirque
du Soleil, an entertainment format acrobat, sired a new business
by taking the lowbrow circus to highbrow theatre (even daring to
ascend the musical curve towards opera-like sophistication). And
Curves, a no-frills fitness chain, merged the cost and privacy benefits
of home fitness packages with the disciplined workouts of health
clubs. It's high risk, sure. But so long as there's even a razor
edge to traverse between the devil and the deep blue, it's high
reward too.
NOT ALLOWED TO CRY
By Ingrid Albuquerque-Solomon
Berean Bay Media
PP: 191
Price: Rs 400
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This is a touching account
of how business magnate Aditya Vikram Birla and his family stoutly
refused to succumb to the debilitating effects of the sad proliferation
that was to claim his life: prostate cancer. A study in tear control
Not Allowed To Cry certainly is, as the title suggests, but the
book also nudges the reader into deep reflection, a tone set by
John Haggai's tragic tale of a child delivered by a drunken obstetrician
(an empathetic tale in terms of apportioning 'blame' on earth and
above). A man-made tragedy? If not, then whodunnit? Albuquerque-Solomon
takes on the poser with elegance and grace, starting with The Chaos
Of Clutter, and closing with Answers From Beyond The Blue, the epilogue.
In all, a gentle book that works in mysterious ways.
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