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"India has a long history
of advertising driving enterprises; it is not like China" |
At
57, Shelly Lazarus is old
enough to have started at O&M when the legendary David Ogilvy
still walked the halls (albeit, for three months a year; he was
down to that by then). And she is young enough to believe that she
can go on in her present role as Chairman and CEO of Ogilvy &
Mather, arguably the world's most respected advertising agency and
part of wpp Plc, as long as she wants to. Lazarus, who sits on the
board of several organisations including ClubMom and General Electric,
was in India to speak on brands at sessions in Delhi and Mumbai
and chair the regional review meeting of O&M in Kerala. She
spoke to BT's R. Sukumar. Excerpts:
You've been to India before. What changes
do you see around you?
I always tell this story about how I went to
see, on one of my first visits here (1997), the Indian finance minister.
We were just about to get the assignment to help build the India
brand (Lazarus often tells the story of how P. Chidambaram gave
her the perfect one-line brief: when I say India, I want them to
think software, not elephants)...
Mr. Chidambaram, coincidentally, happens
to be the Finance Minister now...
(Smiles) That's right, and I have never got
quite as crisp a brief.
I think, in 1997, people were still thinking
elephants. And in 2005, we are beyond software. I think the change
in the perception of the country is remarkable. I was just telling
John Goodman (O&M's India CEO) when I arrived early this morning-I
am coming in from Davos (the World Economic Forum, January 26-30,
2005)-and I don't think more than an hour went by without someone
talking about the potential of India. It was all a dream in 1997
when I first came, and here it is, India is well on its way to being
everything people believed it could be.
Taking off from everyone talking about India,
do you see a difference between the external perception of India,
and what's happening here?
No. I don't think it is a perceptual issue;
it is about whether people feel positive for their own global companies
over what is happening in India, or do they feel threatened. That's
more of what I sense: if you listen carefully, there are companies
that feel threatened by India.
So, do you feel positive about the advertising
business and O&M in India?
First of all, whenever you have growth in an
economy, advertising does well (smiles as if to say, 'See, it's
that simple'). It just follows.
I also think India is a country that has had
a long history of advertising driving enterprise. It's not like
China; advertising is totally new to it. They don't quite know what
to do with it. They know it is important, but they haven't had the
experience to see how you can invest in advertising, and it drives
the enterprise. India has a traditional history of advertising having
driven brands and grown companies. If the Indian economy grows,
the immediate follow on for advertising is obvious.
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"I think there is huge
potential in sourcing studio work out of India for the
world" |
There's also an understanding in India of how
important brands are, that it is important to build brands. And
as we understand that brands are built from things that go way beyond
advertising, and as we at Ogilvy take it as our business strategy
to develop the strongest possible offering in all those pieces of
the communications mix, our business continues to grow not just
as a function of the growth of the economy, but as companies wake
up to the value of the internet, public relations and events and
all those things. We have Ogilvy offerings in each of those, and
they are growing even faster than advertising.
Do you think one reason why India is so
far ahead of China in terms of advertising is because the Indian
industry has always been global? In many ways, it was one of the
earliest industries to go global.
I think that is right. It is a question of experience.
If you believe that advertising works, which I obviously do, the
more experience you get in seeing how to use it, and also being
plugged in to how it is being used in the rest of the world. Having
that window makes you more of a believer.
Tapping new markets is one of the things
that comes with globalisation. For lots of other companies, GE for
instance, sourcing is a big globalisastion driver too. They source
components from countries where they are less expensive to make,
and put them together. Do you think there is any such way in which
advertising can go global?
Back when Ranjan Kapur was heading Ogilvy India
(between 1995 and 2004; he is now Country Manager, WPP India), he
was trying to see whether we could do all the studio work we do
in the world in India. Ranjan said-I think the figure was at the
time-that it cost one-seventh what it cost in the United States,
for instance, to produce material for advertising in India. Ranjan
also said, given the time difference, "we work as the rest
of you sleep". I believe in that and I continue to see whether
we can do things in this area.
The problem I have is that creative people
are very reluctant to give up the control they have. They like knowing-even
though it is all electronic now; its just in the mind-that they
can go down two floors and wring the neck of the guy who didn't
prepare the art well. You don't want them to give up ownership;
that's what gets great craft and work. On the other hand, I think
there is huge potential in letting a lot of the studio work be sourced
out of India for the world.
Are you planning to do this?
Absolutely. I tried it once and I will continue
to try. When things are emotionally hard, you have to come at it
from four different ways and then make it. That's the plan.
There's a feeling that the future of television,
at least in urban areas, will be more hard-drive based, to put it
simply (televisions are connected to, and people record programmes
on, hard-drive based devices, leaving out the ads, and watch it
later, making it, for instance, possible to pause live coverage
of a football match). That's anathema for advertising, isn't it?
You are just out of the system.
You have to pay careful attention to what's
happening. We actually got into a huge debate in Davos over this
question. There is no question that there will be changes in the
way people consume television, but lots of consumers watch television
because they want to be passive. It's a lean-back medium, as opposed
to a lean-forward one. And lots of people in Davos were saying,
'Wait a second; I do not want to interact with my television'. And
interacting all day long!
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"The truth is, women
do not need remedial help; they just
need an even playing field" |
I do not know how it is actually going to pan
out. DVRs (Digital Video Recorders) will be available to the majority
of people with time; how they use it is the question. Two things
occur to me: the first is, the advertising is going to be more compelling,
more charming, more informative, more entertaining than it has ever
been, but that has always been the goal, because (pauses significantly),
there are people who like to watch good advertising. The second
thing is, there are probably ways of using the whole mechanism of
DVRs that will lend themselves to some advertising. Having made
it potentially possible to eliminate all advertising, TiVO is trying
to figure out how to sell advertising in a way that will bypass
the system (chuckles).
I have been in debates with people who believe
that this is the end of free television as we know it, because if
advertisers no longer get value, because people are no longer consuming
advertising in large numbers when they watch television, then they
will stop supporting the production of free television, and then
the only people who will get television will be the rich. You can
do that doomsday scenario, but I just don't think it will happen.
Let's move beyond advertising to the other
thing you are pretty passionate about, women in leadership positions.
Do you see more of that happening within the O&M system? Your
predecessor was a woman too (Charlotte Beers). Did that make things
easier for you?
People have said to me, because I am a woman
and my predecessor was a woman, half jokingly, that David Ogilvy
must have really liked women. The truth is, he did, but that is
not why there are women in leadership positions at Ogilvy. One of
the things David Ogilvy created was a true meritocracy, where people
get ahead because of what they can contribute, what they deliver
to the company, and it has nothing to do with where you went to
school or the country you are from or whether you are a man or a
woman.
Women don't need remedial help; they just need
an even-playing field. And so, if you say, 'we are going to judge
everybody based on the real contribution they make to a business',
women naturally rise up. That's what I believe. The new head of
Ogilvy One in the United States is a woman. The new head of Ogilvy
Philippines is a woman.
Once I know that anybody who performs and is
talented has the opportunity to be the leader, I actually do not
pay attention any more to whether they are men or women.
Did you have to do something to create such
an environment?
David did it. I inherited a wonderful culture:
values-based, well-articulated, and all I had to do was continue
to drive it forward. At the heart of that culture is the concept
of meritocracy. He who can do it will get the job. Or she.
You sit on the GE board. For a long time
GE did not have too many women in senior positions and they still
do not. Why, and do you see that changing?
There are many more women in leadership roles
in GE, but there's the fact that-you know, I have an MBA from Columbia-a
bit of this is a numbers game and a time game. When I went to get
my mba at Columbia, there were four women in a class of 300. That
was 1970. And it takes a while to become a CEO.
As the pool of the available talent becomes
more even between men and women, I can only anticipate that there
will be even more and more women in leadership roles. There are
more women in leadership roles right now.
You have been in advertising, pretty much
all your life...
Pretty much; I was a client first.
So, what do you plan to do when you retire?
(Laughs out loud). I am having too much fun.
I don't know. I have actually said, from about the third year I
was at Ogilvy that 'The moment I get bored, I am leaving', and you
know 30 years later, it is still as interesting as it was.... It
is probably more interesting. That probably sounds trite and naïve,
but there's so much more going on. It's a long journey ahead.
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